Day Two: Smoothie and LUSH cutaways.

The next day I thought I would film myself making a smoothie to show that vegetarian food doesn't have to be boring. I know that a smoothie is very rarely unsuitable for vegetarians, but I thought it would be quite nice to film the process then speed it up to use possibly at the start or towards the end of the documentary.

Normally a smoothie takes me about ten minutes altogether to make but filming it, it took just under a hour because I had to make sure everything was in shot and I was cutting appropriately because most of the shots I had to do in one take, or else I would've been cutting up unnecessary fruit and wasting it.

After the smoothie, I thought I would take the good chunk of my LUSH pots and do a similar shoot. I would also speed this up in post-production and it would come out like a stop motion piece, which I'm very interested in. I had originally thought of doing a stop motion animation in the documentary but due to the large quantity of other work going on, I didn't feel like I would have enough time to do it, and do it properly. So doing this, it made me feel like I was still adding something different to the documentary, even if it doesn't get used in the final film. 

One of the main reasons I wanted to do the LUSH pots was because we had asked Lindsey a few questions about LUSH and she had talked it about it so we were thinking of putting this (sped up) in over her talking about it.

Day One: Lindsey's interview.

Filming day had arrived (Saturday 5th April) and both myself and Caoimhe were really excited. I picked them both up from Belfast and brought them up to my house.

It didn't take us too long to set up, and it was a really nice day outside so the sun was coming through the window nicely. Caoimhe was on sound, while I was on camera as well as asking the questions. We had originally planned to stop at every fourth question and change camera angles, and had fully intended to do this but we were too interested in her answers and it was just flowing like a real conversation, that we completely forgot to do so.

We then got her to cut up some buns that were vegan as well as gluten free, and I wanted these to be cutaways for when we were taking about desserts and buying food in general.

Caoimhe and I were really happy with how the day had gone, all three of us got on great and the answers that Lindsey gave us to our questions were great and quite eye opening.

Pitching Time!

Thursday (27th March) was pitching time! We had briefly gone over what we were going to talk about in the pitch on the day, just to keep it fresh in our memory. Below is a photograph of Caoimhe and I after our pitch and you can see our t-shirts.

On Caoimhe's t-shirt, I wrote "Vegetarians Do Eat..." because a lot of people think vegetables just eat vegetables so I listed a number of different foods (including vegetables) below this and on the back of the t-shirt, I drew and coloured in a few foods.

On my t-shirt, I wrote in big letters "What is a Vegetarian?". This was my first idea for the documentary; I wanted to dispel the myths and find out from vegetarians themselves what others think when they hear they are vegetarians. So on the front and back, I wrote questions and phases that vegetarians are likely to hear when people ask them about being vegetarian. 

For our pitch we talked about a number of different topics:

The title: "Green Beans and Everything Inbetween", I actually give credit to Pearse for this quirky name because he came up with it and we thought it wasn't a generic name for a vegetarian documentary but it was enough for people to be interested, just by the name.

Subjects: Lindsey Mitchell and Richard Andrews. We spoke very briefly about how we were glad to have a man and a woman involved so we could get two different perspectives. Richard has been a vegetarian since he was born, so he didn't choose the choice to be vegetarian, whereas Lindsey did make the choice so it will be nice getting those two different sides too.

Audience: We want these to go out to a wide range of audiences. We want people to watch this who are skeptical of the vegetarian lifestyle or don't know much about it. We want people who are interested in getting involved in becoming a vegetarian. We want vegetarians to watch and feel like they're not dislocated from society like a select few make them feel.

Research: I feel our research has been strong; we watched a film called "Vegan Love" about a guy who wanted to make a documentary about his best friend who was vegan, and trying to find a vegan girlfriend. I also ordered a lot of resources from the Vegetarian Society including leaflets, pamphlets and posters which I had posted about before. 

Themes: Both our themes and locations are heavily dependent on our questions and our subjects answers. Our themes include whether it is their choice to be vegetarian or not, their lifestyle, the reaction of friends and family, common myths and their experiences eating out and shopping.

Locations: As I previously mentioned, this will be dependent on our subjects answers. For example if Lindsey said to us, she did it for the animals, we would go somewhere like Streamvale Farm and get a few shots of the baby animals. However, if she said she did it for the health benefits, we would get shots of health food shops. A few examples of locations are; Holland and Barrett, St. George's Market, Streamvale Farm, supermarkets.

Interview locations at this point are depending on shooting dates; we have Caoimhe's house and my house down as possibilities but when we know when both subjects can film, a decision on interview locations can be confirmed.

Shooting Dates: We were thinking the 4th or 5th April for Lindsey's interview and 8th April or 12th April for Richard's interview and then going on the 13th April for cutaway shots once we watch the interviews back. We feel this will be much more productive due to time restraints, instead of going to get a lot of cutaways at all different places, at least if we know their answers, we can base locations off them.

I was really happy with how our pitch went; we had an innovative idea with the t-shirts and no-one had the same idea. It stood out, it was memorable and we were able to explain how our original idea started in a more colourful way.

Our Fourth Meeting.

Myself and Caoimhe had another very successful meeting yesterday morning (Thursday 20th March). We first had a meeting with our tutor to discuss how we have progressed throughout the week; we spoke about meeting up with Lindsey and how she was excited to talk about all the various aspects of being a vegetarian, not just the food side of things. We also said how we were planning on meeting up with Richard (another person who said they would like to be involved) on Monday morning.

Our tutor gave us the idea of just concentrating on Lindsey and learning more about her life and her hobbies. While I think this is a great idea, this would change the whole dynamic of the documentary and possibly become unlinked to our 'dislocation' theme. My original plan was to interview people and get their views on why do they think they are being judged for choosing this lifestyle, what problems with people have they encountered, do they think being vegetarian gets easier, why did they start and how did they start. These would just be a few of the questions but I was stream lining it on the fact that we were learning about the vegetarian lifestyle and that anyone who had had reservations about vegetarians or didn't actually know about the lifestyle, would watch the documentary and find out that it's not just about eating vegetables. However, if we just concentrate on one person and their life outside vegetarianism, I start to question what our documentary would even be about. I'm really passionate about learning more about the lifestyle because it's something I have wanted to learn about for a few years and if I can help even a little on reducing the stigma on it, then I will be happy and feel like I have created a successful documentary.

Production Folder Links.

This post will be used for me to post links to research and articles that I find online to print out at a later date for our production folder:

1. [19/03] (x) (x) (x) (x) (x) (x) (x) (x)

The Darjeeling Limited.

After "Hotel Chevalier", we researched further into the short film and the next week we watched "The Darjeeling Limited", the film leading on from HC.

It follows the story of three brothers; Peter, Francis and Jack and their journey to find their mother to find out why she didn't attend their father's funeral. It ends up becoming a spiritual journey for all three of them unexpectedly and we discover how each character is dislocated in his own way.

Peter is expecting a baby back home (But he only told Jack this information) and he didn't tell his wife that he was going on the trip before he left. As the story progresses, you can see him worry more and stress about what will happen when he comes home.

Francis has bandages on his head for a majority of the film and we come to understand that he was in a motorcycle accident. He later on says the accident happened on purpose which made me believe that he was trying to kill himself. 

Jack (who was the character that appeared in Hotel Chevalier) is obsessing over his ex-girlfriend (who also appeared in HC) and to try and take away this pain, he sleeps with the stewardess on the train.

The characters are very dislocated within themselves, they think they know what they want but when they look at each other, they can see that no-one knows what they want or how to fix it. They go to India in search of their mother who they have always been very distant from, and they simply think they are going to jump on a train and see her, but like every film, things aren't as simple as you plan them. The film comes with twists and turns, and with each twist, the characters start to question what they are doing with their lives.

(to be updated)

Hotel Chevalier.

In class, we watched "Hotel Chevalier" and "The Darjeeling Limited", both written and directed by Wes Anderson.

Starting off with "Hotel Chevalier", this is a short film shown before "The Darjeeling Limited" as a lead in to the film. As someone who didn't know either of these characters, I feel like it was very dislocated from the beginning. Wes Anderson is known for being very arty and in my opinion, he used this to push the art and not focus so much on the story. If you didn't do research into the film afterwards, you may be confused about what the relationship between the two characters is. You can take the film two ways:

• You can take it as a slow short film to start off with but then becomes very rushed that brings two characters together that have been very disconnected and by the end of the film, they will always end up regretting sleeping together.
• You can see the art of the two characters being divided by their feelings for each other, you sit and try and figure out their relationship and are unsure where they both stand with their feelings towards each other.

I drew two theories (before further research):

• They are two best friends who sleep together on a regular basis but they always seem to regret it the next morning.
• They had been in a relationship before and are currently off/on and both don't know what's going on between them but they have sex anyway and hope their feelings work out.

Wes Anderson is also known for using a lot of yellow throughout his films and "Hotel Chevalier" is no exception. Even from the screenshot above, there is a large amount of yellow on screen and this adds to 'the arty factor' I spoke about earlier.

Once you watch "The Darjeeling Limited" you come to find out that the woman had in fact been Jack's girlfriend and they weren't together anymore.

I think it's the perfect example of 'dislocation' and I'm glad we got shown this piece of film. I wouldn't necessarily say I loved it but I watched it about three or four times and thoroughly enjoyed it. I liked the mystery of what their relationship was and as I done more research each time, some of the lines they were saying to each other made more sense each time and all started to make sense once I found out that they had, in fact, been in a relationship before.

Second Idea: Fictional Reality.

Although not that many people like to admit it, I'm one of those people who watches reality shows. I don't watch the British ones, mainly because I find them over the top which is strange because the American versions are just as bad. I think it's because our generation especially, are so used to watching American programming that we don't see the cringe and the over dramatics as much like we would the British version.

In my spider diagram, I had a few categories connecting to my second idea. I had entertainment linked with TV to start off with. I'm a big television person; I haven't got around to watching the big shows like Game of Thrones, House, House of Cards or Orange is the New Black yet, because there isn't enough hours in the day. I am however a massive fan of shows like The Office (The American version, not the British) and Parks and Recreation, to name two that I thought of as soon as I first came up with this idea. Both shows are mockumentaries, following characters around their daily lives; one being a parks department and the other being an office environment. They both have 'talking heads', where a character will sit or stand in a room and talk to the camera directly and I wanted something similar to this for my second idea.

Another aspect taken from the world of television was the thought of reality shows. There have been numerous reports of former reality stars like Lauren Conrad for example who came out against "The Hills" (One of two reality shows she had been on) and said that the show was in fact for the most part set up. Phonecalls were set up, if you got in a fight with someone, that person would then be at the same restaurant a few days later and you weren't made aware until they came up to your table, meaning the camera could catch your first reaction, whether you wanted the person there or not. There has always been a lot of spectulation about these types of shows and of course, we all know that they're not real, but how much of your actual life is ACTUALLY on these shows? I wanted to use this as a fake behind the scenes of this type of thing and show the audience that it can be just as fake as a fictional show.

Going back to the spider diagram, I wanted to include 'trapped' and 'emotional' in the story too because this girl feels trapped in her own life which is why she is opening up to someone but then she suddenly gets trapped her own reality and doesn't know why. So I want the story to be fictional but with a reality aspect. Below are notes that I wrote down when I first initially thought of the idea to give you more of the story itself (because I hadn't exactly explained that yet):

• A girl is talking to a therapist or a friend about everything that's going on in her life, she says "my life's like a TV show" and says how everything on TV looks/sounds so much easier. As she puts her head into her hands, she sighs. She lifts her head up to see a camera has replaced the person she was talking to. It's clear that she's on her own reality show; she's been asked to adjust her mic, someone has come in to fix her hair; she walks out of the room to the director and he tells her that she needs to go home and ring the friend that she had had a falling out with a few days before.
• The end of the story comes when the girl walks into the original room complaining about what she's been through with the director; constant cameras etc. and she's asked by the camera person (who has now turned into the original therapist/friend she was talking to) "TV's harder than it looks isn't it?" She answers with a line saying yes and puts her head into her hands. She lifts her head up again and the cameras, scripts, sound mics, are gone' the therapist/friend then says something inspirational like "Now let's take this one step at a time. Soren Kierkegaard once said that 'life is not a problem to be solved but a reality to be experienced'."

I understand that this story has a few points that I need to address first. It could be very cliched and there is only a small possibility that that could work in my favour. I am also aware that the ending needs to be worked on; she needs to breakdown, or have something happen to make her realize that she needs to be happy within herself and find a way to do that, so that's why she gets taken back to her 'old life' essentially. This is still a very basic idea, but I'm hoping over the next few days I can flesh it out and even if I don't get to make this, I still think I will keep it in my notebook for future reference.

Even though I can see a few problems with the idea, it fits into the theme of 'dislocation' quite nicely. The girl is stuck in her own problems, and she feels dislocated so to help her fix her old problems, she has to face new problems with the cameras being stuck in her face and being told to see people that she doesn't want to. As she does these things, she learns that she's not the only one going through this situation.

First Idea: Vegetarian and Vegan Documentary.

After taking some time looking over my spider diagram, I decided to first choose an idea that I want to find out more information about. In doing this, I choose vegan and vegetarian. For a long time I have been very interested in both lifestyles but I don't know very much about both so I thought this was the perfect opportunity to learn more about each or one or the other. I want to create this in a documentary format so that it is more informative and along with the research, if I choose to go with this documentary, throughout the process I will be able to find out new information about both subjects and it may even make me explore them more in my own personal life.

In my notebook, I took a few basic notes on my very first thoughts on the idea:

• Exploring the vegetarian or vegan lifestyle, how people react, the questions they get asked, their experience eating out and food shopping, is it as hard as people think it is.
• Interviewing shops/bakeries that make vegetarian and vegan food, how different or difficult it is, how in demand it is and possibly shooting them making the food. 

The theme of 'dislocation' shapes around this idea very well. A lot of people of vegetarians or vegans when asked by 'normal people' or meat eaters, are often questioned why they lead this lifestyle and are often told that they need meat or that "it's just a phase" so many people who live these lifestyles, I would assume, feel quite dislocated until they find people who live the same lifestyle, and don't have to worry about fighting their corner every time they go out for something to eat or if they are invited round to someone's house, for example. 

First Thoughts Spider Diagram.

After my previous post earlier on tonight, I decided to write all of my first thoughts down. I liken it to math; some people can do it in their head, others have to write it out on the page. I'm the type that has to write it down. So that's exactly what I did. I drew a spider diagram (or mind map) of all my first thoughts; these are just words for the moment that stuck out to me while thinking of 'Dislocation'.

After seeing everything written down, it makes everything a lot easier to process. Yes, there are a lot of words written down and you could say, "Well doesn't that make it harder?". Absolutely not in my case, everyone works at different paces and has different ways of working, this is just my way.

Two things I love. Spider diagrams and lists. They make me feel more organized and slowly calm that overwhelming feeling of "there's so much to do and not enough time to do it". The diagram looks slightly organized to anyone looking at it, but to me, I know exactly what goes where, and I'm positive that it's going to help me move past this creative block.

First initial theme thoughts.

Since finding out our theme last week, I hadn't actually realized there was going to be a theme, I thought we could make anything we wanted essentially. So after realizing this, part of me was actually glad that we have some sort of limitation.

Getting into the 'depths of life' for just a second, I personally feel like we have too much choice. For example, we go into the supermarket and you go to look for a cereal; not only are you bombarded with special offers and comparing prices of the shop down the road, you're also given at least 100 choices of cereal with different shapes, different flavours, different ingredients, different health benefits (or lack of) to name a few. In the 21st Century, there's no such thing as 'simple', there's a lot more choice than the world used to have and sometimes that can be extremely overwhelming.

Back into the main point I was trying to make; with our theme we are limited to a certain point and this makes the entire process a lot easier. We have to justify our final decision on what we want our films to be about, if we can't justify why it fits into our theme, then we can't use it. Sounds like a bad thing when actually, to me anyway, it's smart. It's less pressure, it makes us think about why we want to make our idea and it makes us research even further to make sure that everyone involved understands exactly why you're doing it as well as you being 100% on point about everything you want to happen.

"Dislocation"

For our Special Subject Investigation for Creative Media Production unit, we were given the theme of "Dislocation". You could go down a number of routes with this idea; we have the option of doing a documentary or a fictional story so no matter what you decide to do, you can from so many possibilities; choose the body side of the word or jump into the deep end and go for the more psychological side of things.

Physical

When you hear the word, "dislocation", I think the first thought in everyone's mind is something in the body. That could be a dislocated arm, leg, wrist; but in my personal opinion, I think keeping in the physical mind set would make an interesting documentary.

Location/Time
After thinking over with the theme for a few days, my first main idea was something along the lines of being stuck in a place or a time where you think you don't belong. This can be anything from a 'Freaky Friday' state where you're stuck in someone else's body and have to live someone else's life. I also thought of today's generation where people will look up to the likes of Marilyn Monroe and wish there had been born or grew up in the era she had been around, and everything from music to fashion, some say "I was born in the wrong generation". I possibly want to look into something of being stuck in a time or location and not being sure why the character is there and going with them to figure it out. Using this 'plot point', if you did good enough research you could maybe find someone or a few people for a documentary who believe they don't belong in this generation and dress like they are still in the 50's, 60's, 70's for example, and base the documentary around why they would prefer living in a different era to what they live in now.

Psychological
Every topic you delve into in film making needs research but if you were to make either a fictional story or documentary of a psychological nature, your research needs to be on power depending on what type of issue you would be using within your story. I always like the idea of going into a deeper state of mind and with our theme, it would be easily achievable. A film that I would like to explore further if I chose to go into this side, would be "Eternal Sunshine of the Spotless Mind". I have seen this film once before and when thinking psychological, this film was something that shot out of my head immediately because of the relationship within the story and the journey of living through something and it being taken away because it being there, just hurt so much.

These were just a few of the routes I could go down with my final year film, but I want to try and take some time to further my ideas that I have so far as well as develop new ones. I'm really looking forward to coming up with some new ideas following some extra research.