"Dislocation" Horror/Thriller Film: An (Almost Completed) Evaluation.

Like the documentary, even though the process isn't exactly over, I wanted to write about my experience and what I have learned throughout.

Hearing Andy's idea from the start was interesting: it wasn't something I completely understood at first but I think if you understand something the first time, it doesn't give you time for it to grow on you and develop into something much more. I was surprised but happy when Andy asked me to be his producer, he trusted me to help him carry his project from beginning to end which was quite a big responsibility but it helped my confidence massively because I had done a number of things that I hadn't done before, in quite this capacity. I organized meetings with the crew, I posted the advertisement online and communicated with a large amount of people about auditioning and in this, I set up auditions giving the actors the time and a place to turn up and audition for us. We had over twenty people email us altogether and had around eight people turn up for auditions, which anyone else would think was quite poor but when you get people telling you they will be at the audition, not many decide to show up, so eight was a large number for us and Andy and I were very impressed with everyone that came.

Andy is a very creative guy so when he came to me with his pitch idea (which I have written about before), I was over the moon because it was so fantastic. Again, like my documentary, we were going for a pitch that would stand out and would be memorable, and we achieved that. Everyone knows "Who Wants To Be A Millionaire" and I feel because we did a pitch that was out there, that gave our tutor the confidence that we would pull off this film off. If we were able to make the pitch fun, our idea for the film would blossom just as the pitch did too.

Our shooting days went well in my opinion. The first day we did run out of battery which wasn't the best thing to happen and we didn't end up shooting as much as we wanted that day. It was my responsibility to make sure we had at least two batteries and I didn't deliver on the first day but before we went to shoot on the second day, I went to our college technician to pick up another battery to be on the safe side, and while we missed out on a few shots towards the end of the day, another battery would have been good, but we thought two batteries would have been good enough. The shots we did get on the first day however, were great thanks to our camera man who specializes in getting beautiful shots. All the actors got on great, and cast and crew got on well too. There was a lot of standing about on the second day for a few of the actors so I made sure I was with them for the majority of the time (when I wasn't doing sound) just to be there and make sure they weren't on their own, but there was always someone talking to someone, so the waiting around didn't seem like too long.

This was my first true experience of being a producer and taking control on certain aspects, it was scary and out of my comfort zone but looking back, I'm glad I done it because it's given me the confidence to do more things like this. When Andy and Conor tried to get the contact information for the man that owned the house that we wanted to shoot in, I finally got through the man's wife the next day and I tried to explain to her what we wanted to do. This meant explaining the situation a number of times, she didn't seem suspicious of us but I would have felt a little strange if I got a random phone call out of the blue from students wanting to film in my other property too. She gave us her husband's mobile number and I explained who we were, where we were from, what we were doing and what we wanted to do and he was completely fine with it. He came up to see us filming along with his wife and they were totally at ease with the situation because they could see we were doing no harm and I made sure to let them know that we wouldn't be there too long and we would clean up and obviously be respectful of the property. I'm usually the person standing behind the person giving other people information, just there as a backup so to be the person asking to use this place and reassuring this couple, was a big step for me.

Being producer, sometimes you do have to balance on a fine line and some may think I have crossed this line when communication with the camera man had almost been cut completely. We couldn't get through to him, no number of Facebook messages, text messages or phone calls we made to him where going to get him into class. I had asked for a shot list weeks before we shot, and still on this very day, I do not have one. I understand that everyone works differently and sometimes people don't use them, but when you're on someone else's production and you are asked to make a shot list and give it to the producer even just for the production folder, I don't think it's too much to ask and should been done because it will help both the director and producer, in this case. I have had to send a few messages over Facebook to the camera man to get him to send me this list but it still hasn't appeared. It may not seem like a big deal but I asked him to do a job and not a particularly large one at that, it still wasn't done. The same can be said for the edit and when I sent another message about the edit, we were told by the camera man that he wasn't editing and why did the director think this, even though Andy has proof that he would do a rough cut for him. There was a brief deadline for the rough cut last week and Conor did not deliver, or even come in to explain. I understand completely that he has his own film to do; if I didn't understand, I would have to be very unreasonable, and I'm not. But to completely not reply to us both, then tell us when the director isn't in the country that he didn't know he was doing that, I personally think is unreasonable. I would rather that he had told us that he couldn't do it because he had too much on his plate or he didn't want to, rather than leave us in the lurch and only give us information when we had to badger him for it. It is my job to get information out of both my cast and crew and I don't think Andy or I were unreasonable, but we have both learnt a valuable reason from this experience.


Overall, like my documentary, this has also been an exciting but stressful experience but I am quite happy with how this production went, despite the problems. We had the majority of our actors nailed down quite early and we only had to get one person last minute but she turned out great. We had been organized from the start with sending out the advertisements online, sending scripts out, setting up casting calls and talking with the actors throughout the pre and actual filming process. The footage that Conor shot was fantastic, and that's why Andy chose him because he is so good at cinematography and bringing the right tone and visuals on screen. Andy knew what he wanted from the start and sometimes things just happen; most of the time you yourself can't control them and that's how the film and television industry works, so I don't believe that the things went wrong could have been controlled 100% but I'm very happy with how Andy held the production together. He didn't lose his cool, he has kept a calm and cool mind throughout even if he did feel frustrated at times, it is a real testament to how he works and I would happily work with him again.

Editing problems and a sneak peek!

For 'Dislocation' Andy had planned to go home over the May Day break and edit for a few days while we were off, making good use of some much needed time off before we go back to mayhem. Unfortunately the hard drive that we use to store the footage on only works on the college Mac computers and with college not being open over May Day weekend, this left Andy not being able to edit at all. He also lost time when the camera man failed to bring in the footage the day after the shoot.

However, Andy wasn't at a loss completely; he made a mini trailer for the film which I'm very impressed with, so even though we don't have a rough cut in (which we were promised for the deadline, but that didn't happen despite Facebook messages, numerous phone calls and texts) we have a mini trailer to show for the time being (which is shown below).

"Dislocation" Filming.

The filming for "Dislocation" is complete! We started on Monday 28th April and finished on Tuesday 29th April. For the first guy, we had Richard (Josh), Ryan (Dan) and Patrick (Old Man) on set and we filmed in the car park of Hillsborough Forest Park and in the park itself. The first day we ran out of battery so we didn't get all the scenes done that we had scheduled to shoot for that day but the footage we did get, we were very happy with. For crew, we had our sound recordist Pearse, our camera operator Conor and our director/writer Andy on set.

Ryan and Richard got on really well and had fantastic chemistry that you were able to see on camera right away, which we were all very pleased with. Below is a photograph (taken from Andy's Facebook) of Richard (left) and Ryan (right) on set.

Tuesday was slightly different. Crew was changed around slightly, both Pearse and Anya had to go and shoot part of Pearse's film the same day, which I had known about. What I didn't know however was that Anya would be helping so we had to find out from Pearse, and not Anya, that she wouldn't be there on the Tuesday. The only thing I'm thankful for is that we were told a few days previous and not the night before. I still wasn't very happy though, because throughout meeting with Anya and recalling the last big production meeting we had, she didn't seem to have a strong interest in what Andy had asked her to do, even though she aid she was up for it weeks before. I volunteered to do make-up that day, I didn't think I would be any good at it, but we needed to have someone doing it. I only had a few days to find out what I had to do in regards to applying gashes and make-up to actors, and it simply wasn't enough time. I didn't do a very good job of Melissa's make-up, I dabbed in white paint which in hindsight I shouldn't have done because white make-up is normally zombie, and that wasn't the look we were going for. Andy then said to me to take the make-up off Melissa because it wasn't what he was looking for, and I got her to apply dark eyeliner around her eyes and smudge it in. Applying the gashes was a lot easier and looked the part a lot more than Melissa's make-up. I wasn't annoyed at Pearse for not being there, he was the one that told us and he apologised a number of times for not being able to complete the shoot, so I stepped in to do sound recording and this enabled me to do sound work too and I could use it for another module on the course. I just wish Anya had've told us herself that she wasn't going to be able to do it, or that she wasn't really into doing it in the first place. Maybe she was, but previous meetings and constant requests to play about with the make-up and test out the gashes before the shoot that had gone unheard, told me otherwise. For cast on Tuesday we had Richard and Ryan again, along with Dave (Groundskeeper) and Melissa (Dead Girl)

The previous day Andy and Conor went up to see the old house that we wanted to use but they couldn't see anyone about, so they went over to the house across the street and the woman who they were talking to, her brother owns the house that we were looking at. She gave us his number but we couldn't get through until the next day. I rang around lunchtime on the Tuesday and I got talking to his wife who was unaware of what we wanted to do, so I explained it to her and she passed her husband's mobile number on to us. I then rang him and explained what we wanted to do, which was just to film a few scenes near the house. Thankfully, he said that that was fine and we came up to see how we were getting on a few hours later. They were both really nice about it, and they were really interested about what the film was about, and we couldn't be more appreciative.

Overall, I'm really happy with how both days went. Everyone was a professional on set, everyone got along, and we all ended up swapping details afterwards. 

Who Wants To See An Amazing Pitch?

Our second pitch for 'Dislocation' (on Thursday 27th March), Andy and I played a short version of "Who Wants to be a Millionaire?" and this answered questions that related to the pitch. It gave us what the genre was, the title of the film, the setting and time period and would audiences like to see the film.

After our fun teaser, we spoke about more details about the film including the actors and their head shots, the locations, the crew and shooting dates, to name a few. This information can be found below:

Title: "Dislocation"

Genre: Comedy Horror, Magic Realism

Time/Setting: Present day Northern Ireland

Theme: Satire battles redemption. Two Geocaching friends search for an evasive cache deep in the forest. Will they find their surreptitious reward, or will it find them?

Actors:
Josh Sugar - Richard Andrews
Dan Groves - Ryan Sloan
Groundskeeper - Dave McCaughey
Chelsea (Dead Girl) - Hannah Gallagher
Old Man - Patrick Allen

Locations:
Car - Andy's Car
Road Cutaways - Hillsborough
Forest Scene - Hillsborough Forest Park
Graveyard - Blaris Cemetery
Open Field - Hillsborough
Cabin Int - TV Studio (BMC Millfield)
Cabin Ext - Hillsborough

Props:
Binoculars, backpacks (x2), costumes, fake wounds, blood pellets, make-up, fake gun, metal box, cigars (x2) and shovel.

Provisional Shooting Dates: 
7th and 8th April

Intended Audience:
Young adults over the age of 15 that enjoy comedies such as "The Inbetweeners" and "How Not To Live Your Life".

How does it fit into 'Dislocation'?
Set in the middle of nowhere, Dan is a hero; he is cool, slick and adventurous. Josh is a lesser version, always in the shadow of his best friend. He tries to be like him so much but always ends up getting it wrong. When Dan is killed, the spotlight is thrust onto Josh, he is being forced to become the hero that the audience expected Dan to be. Josh is in uncharted territory in this front and centre role; scared, determined and dislocated.

Overall, I'm really happy with how our pitch turned out. Andy had a great idea and I'm so glad that we went with it because it was creative and no-one else had an idea like it. It was memorable and fun with a twist, as well as our tutor liking it because it had an edge but we also gave the relevant information.

Our Fourth Meeting.

Myself and Caoimhe had another very successful meeting yesterday morning (Thursday 20th March). We first had a meeting with our tutor to discuss how we have progressed throughout the week; we spoke about meeting up with Lindsey and how she was excited to talk about all the various aspects of being a vegetarian, not just the food side of things. We also said how we were planning on meeting up with Richard (another person who said they would like to be involved) on Monday morning.

Our tutor gave us the idea of just concentrating on Lindsey and learning more about her life and her hobbies. While I think this is a great idea, this would change the whole dynamic of the documentary and possibly become unlinked to our 'dislocation' theme. My original plan was to interview people and get their views on why do they think they are being judged for choosing this lifestyle, what problems with people have they encountered, do they think being vegetarian gets easier, why did they start and how did they start. These would just be a few of the questions but I was stream lining it on the fact that we were learning about the vegetarian lifestyle and that anyone who had had reservations about vegetarians or didn't actually know about the lifestyle, would watch the documentary and find out that it's not just about eating vegetables. However, if we just concentrate on one person and their life outside vegetarianism, I start to question what our documentary would even be about. I'm really passionate about learning more about the lifestyle because it's something I have wanted to learn about for a few years and if I can help even a little on reducing the stigma on it, then I will be happy and feel like I have created a successful documentary.

My producing role.

I don't know whether I have actually said this yet but I am producing Andy's film, "Dislocation" as well as making my own. His blog can be found here and he is creating a fictional story, rather than a documentary. His short film is both comedy and horror based that sees two best friends 'geo-caching' (For anyone that doesn't know what geo-caching is, it is an international treasure community) for a rare mysterious cache. As the cache draws closer, find or did not find, re-establishes itself with live or die.

Tonight we wrote up advertisements for the three roles that need to be filled, and stuck them on the Studio NI Daily email newsletter, Studio NI Facebook page, Gum Tree and over the next few days we will be tweeting it with the appropriate hash tags so people and actors from Belfast will find it easily.

The Darjeeling Limited.

After "Hotel Chevalier", we researched further into the short film and the next week we watched "The Darjeeling Limited", the film leading on from HC.

It follows the story of three brothers; Peter, Francis and Jack and their journey to find their mother to find out why she didn't attend their father's funeral. It ends up becoming a spiritual journey for all three of them unexpectedly and we discover how each character is dislocated in his own way.

Peter is expecting a baby back home (But he only told Jack this information) and he didn't tell his wife that he was going on the trip before he left. As the story progresses, you can see him worry more and stress about what will happen when he comes home.

Francis has bandages on his head for a majority of the film and we come to understand that he was in a motorcycle accident. He later on says the accident happened on purpose which made me believe that he was trying to kill himself. 

Jack (who was the character that appeared in Hotel Chevalier) is obsessing over his ex-girlfriend (who also appeared in HC) and to try and take away this pain, he sleeps with the stewardess on the train.

The characters are very dislocated within themselves, they think they know what they want but when they look at each other, they can see that no-one knows what they want or how to fix it. They go to India in search of their mother who they have always been very distant from, and they simply think they are going to jump on a train and see her, but like every film, things aren't as simple as you plan them. The film comes with twists and turns, and with each twist, the characters start to question what they are doing with their lives.

(to be updated)

Hotel Chevalier.

In class, we watched "Hotel Chevalier" and "The Darjeeling Limited", both written and directed by Wes Anderson.

Starting off with "Hotel Chevalier", this is a short film shown before "The Darjeeling Limited" as a lead in to the film. As someone who didn't know either of these characters, I feel like it was very dislocated from the beginning. Wes Anderson is known for being very arty and in my opinion, he used this to push the art and not focus so much on the story. If you didn't do research into the film afterwards, you may be confused about what the relationship between the two characters is. You can take the film two ways:

• You can take it as a slow short film to start off with but then becomes very rushed that brings two characters together that have been very disconnected and by the end of the film, they will always end up regretting sleeping together.
• You can see the art of the two characters being divided by their feelings for each other, you sit and try and figure out their relationship and are unsure where they both stand with their feelings towards each other.

I drew two theories (before further research):

• They are two best friends who sleep together on a regular basis but they always seem to regret it the next morning.
• They had been in a relationship before and are currently off/on and both don't know what's going on between them but they have sex anyway and hope their feelings work out.

Wes Anderson is also known for using a lot of yellow throughout his films and "Hotel Chevalier" is no exception. Even from the screenshot above, there is a large amount of yellow on screen and this adds to 'the arty factor' I spoke about earlier.

Once you watch "The Darjeeling Limited" you come to find out that the woman had in fact been Jack's girlfriend and they weren't together anymore.

I think it's the perfect example of 'dislocation' and I'm glad we got shown this piece of film. I wouldn't necessarily say I loved it but I watched it about three or four times and thoroughly enjoyed it. I liked the mystery of what their relationship was and as I done more research each time, some of the lines they were saying to each other made more sense each time and all started to make sense once I found out that they had, in fact, been in a relationship before.