"Dislocation" Horror/Thriller Film: An (Almost Completed) Evaluation.

Like the documentary, even though the process isn't exactly over, I wanted to write about my experience and what I have learned throughout.

Hearing Andy's idea from the start was interesting: it wasn't something I completely understood at first but I think if you understand something the first time, it doesn't give you time for it to grow on you and develop into something much more. I was surprised but happy when Andy asked me to be his producer, he trusted me to help him carry his project from beginning to end which was quite a big responsibility but it helped my confidence massively because I had done a number of things that I hadn't done before, in quite this capacity. I organized meetings with the crew, I posted the advertisement online and communicated with a large amount of people about auditioning and in this, I set up auditions giving the actors the time and a place to turn up and audition for us. We had over twenty people email us altogether and had around eight people turn up for auditions, which anyone else would think was quite poor but when you get people telling you they will be at the audition, not many decide to show up, so eight was a large number for us and Andy and I were very impressed with everyone that came.

Andy is a very creative guy so when he came to me with his pitch idea (which I have written about before), I was over the moon because it was so fantastic. Again, like my documentary, we were going for a pitch that would stand out and would be memorable, and we achieved that. Everyone knows "Who Wants To Be A Millionaire" and I feel because we did a pitch that was out there, that gave our tutor the confidence that we would pull off this film off. If we were able to make the pitch fun, our idea for the film would blossom just as the pitch did too.

Our shooting days went well in my opinion. The first day we did run out of battery which wasn't the best thing to happen and we didn't end up shooting as much as we wanted that day. It was my responsibility to make sure we had at least two batteries and I didn't deliver on the first day but before we went to shoot on the second day, I went to our college technician to pick up another battery to be on the safe side, and while we missed out on a few shots towards the end of the day, another battery would have been good, but we thought two batteries would have been good enough. The shots we did get on the first day however, were great thanks to our camera man who specializes in getting beautiful shots. All the actors got on great, and cast and crew got on well too. There was a lot of standing about on the second day for a few of the actors so I made sure I was with them for the majority of the time (when I wasn't doing sound) just to be there and make sure they weren't on their own, but there was always someone talking to someone, so the waiting around didn't seem like too long.

This was my first true experience of being a producer and taking control on certain aspects, it was scary and out of my comfort zone but looking back, I'm glad I done it because it's given me the confidence to do more things like this. When Andy and Conor tried to get the contact information for the man that owned the house that we wanted to shoot in, I finally got through the man's wife the next day and I tried to explain to her what we wanted to do. This meant explaining the situation a number of times, she didn't seem suspicious of us but I would have felt a little strange if I got a random phone call out of the blue from students wanting to film in my other property too. She gave us her husband's mobile number and I explained who we were, where we were from, what we were doing and what we wanted to do and he was completely fine with it. He came up to see us filming along with his wife and they were totally at ease with the situation because they could see we were doing no harm and I made sure to let them know that we wouldn't be there too long and we would clean up and obviously be respectful of the property. I'm usually the person standing behind the person giving other people information, just there as a backup so to be the person asking to use this place and reassuring this couple, was a big step for me.

Being producer, sometimes you do have to balance on a fine line and some may think I have crossed this line when communication with the camera man had almost been cut completely. We couldn't get through to him, no number of Facebook messages, text messages or phone calls we made to him where going to get him into class. I had asked for a shot list weeks before we shot, and still on this very day, I do not have one. I understand that everyone works differently and sometimes people don't use them, but when you're on someone else's production and you are asked to make a shot list and give it to the producer even just for the production folder, I don't think it's too much to ask and should been done because it will help both the director and producer, in this case. I have had to send a few messages over Facebook to the camera man to get him to send me this list but it still hasn't appeared. It may not seem like a big deal but I asked him to do a job and not a particularly large one at that, it still wasn't done. The same can be said for the edit and when I sent another message about the edit, we were told by the camera man that he wasn't editing and why did the director think this, even though Andy has proof that he would do a rough cut for him. There was a brief deadline for the rough cut last week and Conor did not deliver, or even come in to explain. I understand completely that he has his own film to do; if I didn't understand, I would have to be very unreasonable, and I'm not. But to completely not reply to us both, then tell us when the director isn't in the country that he didn't know he was doing that, I personally think is unreasonable. I would rather that he had told us that he couldn't do it because he had too much on his plate or he didn't want to, rather than leave us in the lurch and only give us information when we had to badger him for it. It is my job to get information out of both my cast and crew and I don't think Andy or I were unreasonable, but we have both learnt a valuable reason from this experience.


Overall, like my documentary, this has also been an exciting but stressful experience but I am quite happy with how this production went, despite the problems. We had the majority of our actors nailed down quite early and we only had to get one person last minute but she turned out great. We had been organized from the start with sending out the advertisements online, sending scripts out, setting up casting calls and talking with the actors throughout the pre and actual filming process. The footage that Conor shot was fantastic, and that's why Andy chose him because he is so good at cinematography and bringing the right tone and visuals on screen. Andy knew what he wanted from the start and sometimes things just happen; most of the time you yourself can't control them and that's how the film and television industry works, so I don't believe that the things went wrong could have been controlled 100% but I'm very happy with how Andy held the production together. He didn't lose his cool, he has kept a calm and cool mind throughout even if he did feel frustrated at times, it is a real testament to how he works and I would happily work with him again.

Who Wants To See An Amazing Pitch?

Our second pitch for 'Dislocation' (on Thursday 27th March), Andy and I played a short version of "Who Wants to be a Millionaire?" and this answered questions that related to the pitch. It gave us what the genre was, the title of the film, the setting and time period and would audiences like to see the film.

After our fun teaser, we spoke about more details about the film including the actors and their head shots, the locations, the crew and shooting dates, to name a few. This information can be found below:

Title: "Dislocation"

Genre: Comedy Horror, Magic Realism

Time/Setting: Present day Northern Ireland

Theme: Satire battles redemption. Two Geocaching friends search for an evasive cache deep in the forest. Will they find their surreptitious reward, or will it find them?

Actors:
Josh Sugar - Richard Andrews
Dan Groves - Ryan Sloan
Groundskeeper - Dave McCaughey
Chelsea (Dead Girl) - Hannah Gallagher
Old Man - Patrick Allen

Locations:
Car - Andy's Car
Road Cutaways - Hillsborough
Forest Scene - Hillsborough Forest Park
Graveyard - Blaris Cemetery
Open Field - Hillsborough
Cabin Int - TV Studio (BMC Millfield)
Cabin Ext - Hillsborough

Props:
Binoculars, backpacks (x2), costumes, fake wounds, blood pellets, make-up, fake gun, metal box, cigars (x2) and shovel.

Provisional Shooting Dates: 
7th and 8th April

Intended Audience:
Young adults over the age of 15 that enjoy comedies such as "The Inbetweeners" and "How Not To Live Your Life".

How does it fit into 'Dislocation'?
Set in the middle of nowhere, Dan is a hero; he is cool, slick and adventurous. Josh is a lesser version, always in the shadow of his best friend. He tries to be like him so much but always ends up getting it wrong. When Dan is killed, the spotlight is thrust onto Josh, he is being forced to become the hero that the audience expected Dan to be. Josh is in uncharted territory in this front and centre role; scared, determined and dislocated.

Overall, I'm really happy with how our pitch turned out. Andy had a great idea and I'm so glad that we went with it because it was creative and no-one else had an idea like it. It was memorable and fun with a twist, as well as our tutor liking it because it had an edge but we also gave the relevant information.

Pitching Time!

Thursday (27th March) was pitching time! We had briefly gone over what we were going to talk about in the pitch on the day, just to keep it fresh in our memory. Below is a photograph of Caoimhe and I after our pitch and you can see our t-shirts.

On Caoimhe's t-shirt, I wrote "Vegetarians Do Eat..." because a lot of people think vegetables just eat vegetables so I listed a number of different foods (including vegetables) below this and on the back of the t-shirt, I drew and coloured in a few foods.

On my t-shirt, I wrote in big letters "What is a Vegetarian?". This was my first idea for the documentary; I wanted to dispel the myths and find out from vegetarians themselves what others think when they hear they are vegetarians. So on the front and back, I wrote questions and phases that vegetarians are likely to hear when people ask them about being vegetarian. 

For our pitch we talked about a number of different topics:

The title: "Green Beans and Everything Inbetween", I actually give credit to Pearse for this quirky name because he came up with it and we thought it wasn't a generic name for a vegetarian documentary but it was enough for people to be interested, just by the name.

Subjects: Lindsey Mitchell and Richard Andrews. We spoke very briefly about how we were glad to have a man and a woman involved so we could get two different perspectives. Richard has been a vegetarian since he was born, so he didn't choose the choice to be vegetarian, whereas Lindsey did make the choice so it will be nice getting those two different sides too.

Audience: We want these to go out to a wide range of audiences. We want people to watch this who are skeptical of the vegetarian lifestyle or don't know much about it. We want people who are interested in getting involved in becoming a vegetarian. We want vegetarians to watch and feel like they're not dislocated from society like a select few make them feel.

Research: I feel our research has been strong; we watched a film called "Vegan Love" about a guy who wanted to make a documentary about his best friend who was vegan, and trying to find a vegan girlfriend. I also ordered a lot of resources from the Vegetarian Society including leaflets, pamphlets and posters which I had posted about before. 

Themes: Both our themes and locations are heavily dependent on our questions and our subjects answers. Our themes include whether it is their choice to be vegetarian or not, their lifestyle, the reaction of friends and family, common myths and their experiences eating out and shopping.

Locations: As I previously mentioned, this will be dependent on our subjects answers. For example if Lindsey said to us, she did it for the animals, we would go somewhere like Streamvale Farm and get a few shots of the baby animals. However, if she said she did it for the health benefits, we would get shots of health food shops. A few examples of locations are; Holland and Barrett, St. George's Market, Streamvale Farm, supermarkets.

Interview locations at this point are depending on shooting dates; we have Caoimhe's house and my house down as possibilities but when we know when both subjects can film, a decision on interview locations can be confirmed.

Shooting Dates: We were thinking the 4th or 5th April for Lindsey's interview and 8th April or 12th April for Richard's interview and then going on the 13th April for cutaway shots once we watch the interviews back. We feel this will be much more productive due to time restraints, instead of going to get a lot of cutaways at all different places, at least if we know their answers, we can base locations off them.

I was really happy with how our pitch went; we had an innovative idea with the t-shirts and no-one had the same idea. It stood out, it was memorable and we were able to explain how our original idea started in a more colourful way.