Starting to edit (again!).

Last Tuesday (6th May) began the editing process again. I imported the clips onto Premiere Pro which took longer than expected, then I sorted the interview into bins, so when I was going back to each clip, it would be a lot easier to find it. So Tuesday was more of a logging and organizing day for me.

Wednesday afternoon (7th May) after another class was when Caoimhe joined me and we started clipping and cutting pieces together. We're both really happy with the footage and the way it's visually told on screen that it sometimes kills me having to cut something up, even though I know I have to do it due to time constraints.

We have a lot of information from Richard's interview that we can't all possibly fit in to five minutes which is a shame but as we were editing, we decided to try and keep in the information about parmesan cheese in because we are assuming that most of our audience don't know that this particular cheese isn't actually vegetarian, despite restaurants serving it as vegetarian. We want our audience to walk out of the audience finding out something new, and we think this will do the trick.

We also have some really nice shots of Richard talking about the Vegetarian Society and labels on food and as I was shooting this on the day, I moved in to see the labels and it auto-focused for me. We're using these shots because the audience will be aware of the different types of labelling in stores and we think it's something that some people may not be aware of.

On the Thursday (8th May), we showed Sharron our rough edit and I would say she was quite pleased with it. Caoimhe and I came up with some other titles because we personally didn't feel like "Green Beans and Everything In Between" fitted the documentary anymore. These titles were "Suitable for Vegetarians", "Vegetarian Options Available" and "A Vegeducation". However, talking with our tutor, she thought the title added quirkiness to the film and if we made the start quite quirky too, it would fit in quite well. We also had a lot of footage of Richard talking about the cheese which I didn't really mind but after our tutor telling us that the audience may start to think the film is about cheese, we thought it was best to cut it down but still have an appropriate amount of information still in there so the audience can understand why it's not vegetarian. 

Because of other on going projects during the week, we know from Thursday, we will not get any time to do another edit or go out filming apart from possibly next Wednesday afternoon so we do intend on editing more next Thursday (15th May) during class while the tutor is going over other people's work. 

"Dislocation" Filming.

The filming for "Dislocation" is complete! We started on Monday 28th April and finished on Tuesday 29th April. For the first guy, we had Richard (Josh), Ryan (Dan) and Patrick (Old Man) on set and we filmed in the car park of Hillsborough Forest Park and in the park itself. The first day we ran out of battery so we didn't get all the scenes done that we had scheduled to shoot for that day but the footage we did get, we were very happy with. For crew, we had our sound recordist Pearse, our camera operator Conor and our director/writer Andy on set.

Ryan and Richard got on really well and had fantastic chemistry that you were able to see on camera right away, which we were all very pleased with. Below is a photograph (taken from Andy's Facebook) of Richard (left) and Ryan (right) on set.

Tuesday was slightly different. Crew was changed around slightly, both Pearse and Anya had to go and shoot part of Pearse's film the same day, which I had known about. What I didn't know however was that Anya would be helping so we had to find out from Pearse, and not Anya, that she wouldn't be there on the Tuesday. The only thing I'm thankful for is that we were told a few days previous and not the night before. I still wasn't very happy though, because throughout meeting with Anya and recalling the last big production meeting we had, she didn't seem to have a strong interest in what Andy had asked her to do, even though she aid she was up for it weeks before. I volunteered to do make-up that day, I didn't think I would be any good at it, but we needed to have someone doing it. I only had a few days to find out what I had to do in regards to applying gashes and make-up to actors, and it simply wasn't enough time. I didn't do a very good job of Melissa's make-up, I dabbed in white paint which in hindsight I shouldn't have done because white make-up is normally zombie, and that wasn't the look we were going for. Andy then said to me to take the make-up off Melissa because it wasn't what he was looking for, and I got her to apply dark eyeliner around her eyes and smudge it in. Applying the gashes was a lot easier and looked the part a lot more than Melissa's make-up. I wasn't annoyed at Pearse for not being there, he was the one that told us and he apologised a number of times for not being able to complete the shoot, so I stepped in to do sound recording and this enabled me to do sound work too and I could use it for another module on the course. I just wish Anya had've told us herself that she wasn't going to be able to do it, or that she wasn't really into doing it in the first place. Maybe she was, but previous meetings and constant requests to play about with the make-up and test out the gashes before the shoot that had gone unheard, told me otherwise. For cast on Tuesday we had Richard and Ryan again, along with Dave (Groundskeeper) and Melissa (Dead Girl)

The previous day Andy and Conor went up to see the old house that we wanted to use but they couldn't see anyone about, so they went over to the house across the street and the woman who they were talking to, her brother owns the house that we were looking at. She gave us his number but we couldn't get through until the next day. I rang around lunchtime on the Tuesday and I got talking to his wife who was unaware of what we wanted to do, so I explained it to her and she passed her husband's mobile number on to us. I then rang him and explained what we wanted to do, which was just to film a few scenes near the house. Thankfully, he said that that was fine and we came up to see how we were getting on a few hours later. They were both really nice about it, and they were really interested about what the film was about, and we couldn't be more appreciative.

Overall, I'm really happy with how both days went. Everyone was a professional on set, everyone got along, and we all ended up swapping details afterwards. 

Cutaway Time! (Photographs to be added!)

The next Wednesday (23rd April) had filmed some cutaways at the place I named in the previous blog post.

(Outside the stationary and book store, Eason's)

(Some of the healthy eating and vegetarian books in Eason's)

(More of the vegetable and healthy eating books in Eason's)

(Outside the book store, Waterstone's)

(Some healthy eating and books about vegetarianism in Waterstone's)

(More books about being vegetarian in Waterstone's)

(Outside the health food shop, Holland and Barrett)

(Outside one of my favourite stores, LUSH, where every single product is vegetarian)

(Outside The Nutmeg, another health food store, slightly
more under the radar than Holland and Barrett)

Scheduled Easter Meeting.

Caoimhe and I had scheduled to meet over Easter to film cutaways but unfortunately something had happened to the camera, so we were unable to do so. We still had our meeting, we just didn't get to film anything that day which I didn't mind too much anyway.

We sat down in a coffee shop to discuss more thoroughly what cutaways we wanted. We made out a list of shops we wanted to go to:

• Holland and Barrett.
• LUSH.
• Easons.
• Waterstones.
• Tesco/ASDA.
• Alley Cat.
• Restaurants in Victoria Square and St. Anne's Square.

We had a small number of concerns about these places. Firstly with Easons and Waterstones, it had been suggested to go into these book stores and look at their vegetarian book range but because of the internet, internet prices are much cheaper than in store places like both Easons and Waterstones. We didn't want anyone to see us in case they thought we were filming or taking pictures of the prices of books and going to buy them online instead. It sounds silly, but I feel like it is a huge concern for these shops and they could have thrown us out at anytime, even if we explain what we were doing.

The same type of thing we had concerns about for Tesco and ASDA. Obviously both these stores are much bigger than the book stores, so they have more security cameras and more people in store. Customers could report us or a member of staff could see us.

We were also worried about going around to restaurants and filming the menus. Again, the same price-comparison concerns were our worry, because I'm sure a lot of people go from restaurant to restaurant looking for the cheapest prices. 

Day Two: Smoothie and LUSH cutaways.

The next day I thought I would film myself making a smoothie to show that vegetarian food doesn't have to be boring. I know that a smoothie is very rarely unsuitable for vegetarians, but I thought it would be quite nice to film the process then speed it up to use possibly at the start or towards the end of the documentary.

Normally a smoothie takes me about ten minutes altogether to make but filming it, it took just under a hour because I had to make sure everything was in shot and I was cutting appropriately because most of the shots I had to do in one take, or else I would've been cutting up unnecessary fruit and wasting it.

After the smoothie, I thought I would take the good chunk of my LUSH pots and do a similar shoot. I would also speed this up in post-production and it would come out like a stop motion piece, which I'm very interested in. I had originally thought of doing a stop motion animation in the documentary but due to the large quantity of other work going on, I didn't feel like I would have enough time to do it, and do it properly. So doing this, it made me feel like I was still adding something different to the documentary, even if it doesn't get used in the final film. 

One of the main reasons I wanted to do the LUSH pots was because we had asked Lindsey a few questions about LUSH and she had talked it about it so we were thinking of putting this (sped up) in over her talking about it.

The production meeting before filming!

On Thursday 3rd April, we had a small production meeting to discuss further details of our interview happening on Saturday 5th April with Lindsey.

We discussed where the interview would be and because of location constraints at Caoimhe's house, we decided that it would be easier to use my house since it would be free and no-one but us would be in. We made plans where I would pick Caoimhe and Lindsey up in Belfast and bring them to mine too. We also talked about possible cutaway locations, but these aren't nailed down until Lindsey answers the questions obviously.

Pitching Time!

Thursday (27th March) was pitching time! We had briefly gone over what we were going to talk about in the pitch on the day, just to keep it fresh in our memory. Below is a photograph of Caoimhe and I after our pitch and you can see our t-shirts.

On Caoimhe's t-shirt, I wrote "Vegetarians Do Eat..." because a lot of people think vegetables just eat vegetables so I listed a number of different foods (including vegetables) below this and on the back of the t-shirt, I drew and coloured in a few foods.

On my t-shirt, I wrote in big letters "What is a Vegetarian?". This was my first idea for the documentary; I wanted to dispel the myths and find out from vegetarians themselves what others think when they hear they are vegetarians. So on the front and back, I wrote questions and phases that vegetarians are likely to hear when people ask them about being vegetarian. 

For our pitch we talked about a number of different topics:

The title: "Green Beans and Everything Inbetween", I actually give credit to Pearse for this quirky name because he came up with it and we thought it wasn't a generic name for a vegetarian documentary but it was enough for people to be interested, just by the name.

Subjects: Lindsey Mitchell and Richard Andrews. We spoke very briefly about how we were glad to have a man and a woman involved so we could get two different perspectives. Richard has been a vegetarian since he was born, so he didn't choose the choice to be vegetarian, whereas Lindsey did make the choice so it will be nice getting those two different sides too.

Audience: We want these to go out to a wide range of audiences. We want people to watch this who are skeptical of the vegetarian lifestyle or don't know much about it. We want people who are interested in getting involved in becoming a vegetarian. We want vegetarians to watch and feel like they're not dislocated from society like a select few make them feel.

Research: I feel our research has been strong; we watched a film called "Vegan Love" about a guy who wanted to make a documentary about his best friend who was vegan, and trying to find a vegan girlfriend. I also ordered a lot of resources from the Vegetarian Society including leaflets, pamphlets and posters which I had posted about before. 

Themes: Both our themes and locations are heavily dependent on our questions and our subjects answers. Our themes include whether it is their choice to be vegetarian or not, their lifestyle, the reaction of friends and family, common myths and their experiences eating out and shopping.

Locations: As I previously mentioned, this will be dependent on our subjects answers. For example if Lindsey said to us, she did it for the animals, we would go somewhere like Streamvale Farm and get a few shots of the baby animals. However, if she said she did it for the health benefits, we would get shots of health food shops. A few examples of locations are; Holland and Barrett, St. George's Market, Streamvale Farm, supermarkets.

Interview locations at this point are depending on shooting dates; we have Caoimhe's house and my house down as possibilities but when we know when both subjects can film, a decision on interview locations can be confirmed.

Shooting Dates: We were thinking the 4th or 5th April for Lindsey's interview and 8th April or 12th April for Richard's interview and then going on the 13th April for cutaway shots once we watch the interviews back. We feel this will be much more productive due to time restraints, instead of going to get a lot of cutaways at all different places, at least if we know their answers, we can base locations off them.

I was really happy with how our pitch went; we had an innovative idea with the t-shirts and no-one had the same idea. It stood out, it was memorable and we were able to explain how our original idea started in a more colourful way.

Our Third Meeting.

Our third meeting happened the very next day (Thursday 13th March) with our tutor. We updated up on the interest we had had so far, and that we had already planned to meet up with one of the subjects the following week.

We also discussed our idea of the opening of the documentary having us look online and typing in "vegetarian" onto various search engines, and all that comes up is vegetables. This is to lead in to what I wanted to know, is vegetarianism just about vegetables? Our tutor gave us an idea though; she said to use photographs or video that we take ourselves with markets and shops and to create a montage using my original "is it all about vegetables" idea.

Overall, I'm really pleased with our progress so far. We were a little worried we would come to class with no one interested but that quickly changed on Wednesday and I couldn't be happier.

Second Meeting.

In our second meeting (Wednesday 12th March) we looked over the research resources I had received the week before as well as reply to two responses we had received that morning. We also wrote up a short letter to politician Jim Wells because we found out that he is vegetarian himself. We haven't currently sent the letter yet because we have had quite a few responses so we were using that as a back up plan but we thought it was a good idea to write it up anyway.

The start of scheduling!

My producer Caoimhe and I sat down this Thursday (6th March) and started talking about a production schedule. We drew up a brief schedule (below) and later on that day Caoimhe made up a more professional looking schedule on Word. We made up this smaller schedules just so we could have the set tasks in front of us for each production meeting then we can update it later on that day on the more professional one (which will then go in the production folder).

Fictional Reality Twist Proposal

Original Thought (Initial Ideas)

A story about a young woman around sixteen years old talking to a friend or a therapist (adding a therapist could make this story cliche however) about what she's been going through lately. She's fallen out with one of her best friends, she's falling behind in school, she's fighting with her parents, she's just broken up with her boyfriend. As she explains what's been going on, she says how if she was a character in a TV show, it would be so much easier because things on TV are always easier. She then turns into a character on her own reality show and she discovers the real pit falls of some of her favourite shows, and tries to hide away from her problems. The cameras pointing in her face, the sound mics always been hooked up, the director forcing her to face people she doesn't want to; all these problems make her face the real problems she's had to deal with lately.

Characters (Names, Descriptions, Personal Profile, Sketches)

Young woman: sixteen years old, appearance and name hasn't been decided yet, dresses like a normal teenager girl coming into her own. She's had a lot going on in her life so I want to give the impression that she hasn't been sleeping and she's been worrying a lot.

Director: man aged between thirty and forty, stubborn, bossy, wants everything his way. Forces the unnamed teenage girl to call her ex-boyfriend, call her best friend that she's just fought with, even though she doesn't want to. He wants the entertainment and isn't concerned about how she feels.

Friend/Therapist: age unknown at this point, friendly, understanding, good listener, doesn't really say much throughout the story.

Best Friend (who she fought with): very much like the main character, she's been going through a lot but decided not to tell anyone. This comes out and the main character then realizes that she didn't understand why her friend was acting so weird but now she knows and understands, but she's going through the same thing.

Ex Boyfriend: We don't see him on screen, he just hear him on the phone, he doesn't sound like an unreasonable guy, he's a little older than her, she was giving him mixed signals and he didn't want to do that anymore.

Story (Start, Middle, End or Conflict and Resolution, or what happens to whom and what's the result. If a poetic idea, then talk about theme and emotion.)

(This is my first initial idea that I wrote in my notebook. I haven't fleshed out a middle or an ending yet)

• A girl is talking to a therapist or a friend about everything that's going on in her life, she says "my life's like a TV show" and says how everything on TV looks/sounds so much easier. As she puts her head into her hands, she sighs. She lifts her head up to see a camera has replaced the person she was talking to. It's clear that she's on her own reality show; she's been asked to adjust her mic, someone has come in to fix her hair; she walks out of the room to the director and he tells her that she needs to go home and ring the friend that she had had a falling out with a few days before.
• The end of the story comes when the girl walks into the original room complaining about what she's been through with the director; constant cameras etc. and she's asked by the camera person (who has now turned into the original therapist/friend she was talking to) "TV's harder than it looks isn't it?" She answers with a line saying yes and puts her head into her hands. She lifts her head up again and the cameras, scripts, sound mics, are gone' the therapist/friend then says something inspirational like "Now let's take this one step at a time. Soren Kierkegaard once said that 'life is not a problem to be solved but a reality to be experienced'."

Genre

I want this to be in the comedy drama genre. I don't want to say it will be completely dramatic because I feel like I would be limited in where I could go with the story if it is just drama, but if I'm able to add little comedic effects to it, the audience could connect with it more.

Audience (Who are they?)

I want my audience to be a range of people. I want to attract young people who are interested in reality shows like Keeping Up With The Kardashians, The Hills etc. and show them parts of the reality world that they may not seen or may not be aware of. I also want to attract people who themselves are going through things in their lives, and feel like they have had new problems hit them  to realize how to fix their original problems.

Why you think this is a good idea (Interest to audience, ease of production, simplicity of idea)

This reality twist on a fiction is a good idea in my eyes because it gives you the best of both worlds. It's not exactly a documentary but it has elements of documentary and things being staged as well as it being a fictional story too. For the production, I will need quite a few cast members and just as many crew members; which sound daunting but if I am able to flesh out the story and make it exactly how I see it in my head, I think it could be an interesting experience for everyone because we will be doing two formats (fiction and technically behind the scenes of a documentary style show).

Vegan/Vegetarian Documentary Proposal

Purpose (What’s my goal?)

My purpose for my chosen documentary subject is not only to inform the public on another way of healthy living but to educate everyone on what they may not know about vegetarianism or veganism and to break down some common misconceptions about these lifestyles.

Audience (Who will be watching?)

I would like a wide range of people to watch this documentary. It would appeal to younger people and their parents and to people who are looking to change their eating habits or maybe just don’t know anything on the subject, and this will give them more information about both lifestyles.

Content (What do I want to say?)

I want people to understand more about the lifestyles of a vegan or vegetarian; I want to be able to show more of a personal side of people. For example, I want to ask who I interview about how people first reacted to their change, why and when they started, how difficult or easy it is to go out food shopping or going out for dinner. I don’t plan on making this a scientific documentary, I’m not going to go into the science of the body or how food works.

Voice (How do I want to say it?)

This will be a documentary piece with the slight possibility of adding stop motion animation. This will all depend on what footage I film and the topics of conversation as well as stories that come up along the way.

Imagery (What do I want to say?)

I want to interview a number of people who are vegan or vegetarian or have been in the past. I would also like to get the opportunity to visit a few businesses who do vegan/vegetarian food and ask them questions such as: why did they decide to make this type of food, is there a big demand for it, how has it changed in the past five or ten years and if any of them or their employees are following the same lifestyle. Before I even start filming, I want to know what questions or how much information the public really know, so I wanted to create short anonymous questionnaires for people to fill out so I can cater the questions they have, to the documentary.

Style (How do I want to show it?)

I want it to look quite smooth, I don’t want it really slow but the only time I can see it going fast paced is if I choose and/or able to get a number of interviews, while editing their interview together, make their answers quite choppy and follow into each other.

Tone (How do I want the audience to feel?)

I want the audience to feel like they have watched a short documentary and they have learned something and they have a better understanding of a different lifestyle to what they may lead. It may also give the audience an opportunity to want to explore more lifestyles like this and possibly go to the businesses that I mention and try out something different.

Platform (Where will it be viewed?)

It will be shown in the Odeon, Belfast as part of the HND Film Festival and once it has been shown there, I plan on putting it on YouTube on my personal YouTube channel for more people to see, my personal Facebook page and my own Twitter page too.

Promotion (How will it be shared?)

I plan to promote this documentary on Facebook, Twitter, YouTube and quite possibly, Vimeo, as well as the blog that I am using to keep track of my progress. I may also put it on a number of DVD’s and USB sticks.

Budget (What can I afford?)

I am not exactly sure how many locations I will be visiting, but to get to these locations, it will simply be using public transport, car or walking. I may also purchase some food from the businesses that I go to because I want to see what they offer as well as going in and knowing something more about them.

First Idea: Vegetarian and Vegan Documentary.

After taking some time looking over my spider diagram, I decided to first choose an idea that I want to find out more information about. In doing this, I choose vegan and vegetarian. For a long time I have been very interested in both lifestyles but I don't know very much about both so I thought this was the perfect opportunity to learn more about each or one or the other. I want to create this in a documentary format so that it is more informative and along with the research, if I choose to go with this documentary, throughout the process I will be able to find out new information about both subjects and it may even make me explore them more in my own personal life.

In my notebook, I took a few basic notes on my very first thoughts on the idea:

• Exploring the vegetarian or vegan lifestyle, how people react, the questions they get asked, their experience eating out and food shopping, is it as hard as people think it is.
• Interviewing shops/bakeries that make vegetarian and vegan food, how different or difficult it is, how in demand it is and possibly shooting them making the food. 

The theme of 'dislocation' shapes around this idea very well. A lot of people of vegetarians or vegans when asked by 'normal people' or meat eaters, are often questioned why they lead this lifestyle and are often told that they need meat or that "it's just a phase" so many people who live these lifestyles, I would assume, feel quite dislocated until they find people who live the same lifestyle, and don't have to worry about fighting their corner every time they go out for something to eat or if they are invited round to someone's house, for example. 

First Thoughts Spider Diagram.

After my previous post earlier on tonight, I decided to write all of my first thoughts down. I liken it to math; some people can do it in their head, others have to write it out on the page. I'm the type that has to write it down. So that's exactly what I did. I drew a spider diagram (or mind map) of all my first thoughts; these are just words for the moment that stuck out to me while thinking of 'Dislocation'.

After seeing everything written down, it makes everything a lot easier to process. Yes, there are a lot of words written down and you could say, "Well doesn't that make it harder?". Absolutely not in my case, everyone works at different paces and has different ways of working, this is just my way.

Two things I love. Spider diagrams and lists. They make me feel more organized and slowly calm that overwhelming feeling of "there's so much to do and not enough time to do it". The diagram looks slightly organized to anyone looking at it, but to me, I know exactly what goes where, and I'm positive that it's going to help me move past this creative block.

Creative Block.

This process has barely even started and I'm already struggling with certain parts. Over the past few weeks a few people have asked me if I've had any ideas for my film and in all honesty, they're really really rough ideas. So rough that I couldn't explain one right now because it's seriously that rough.

Don't get me wrong, I really want to make my own film and have something that I've written, come to life. It's just that struggle before the ideas that's getting me. My mind blanks when I actually sit down and try and think of something. Before I started this course, I wanted to be a screenwriter, for television mainly; many people know that I'm more of a television watcher than a film watcher and in my opinion, that's not such a bad thing. I have been watching more and more films, and watching classics that I probably should have watched years ago; but if I can't think of at least one idea at this very second, that's something that worries me.

Anyone in my position would be overjoyed because they get to make pretty much anything they want (within our theme, of course) but I'm just not at that 'excited' stage yet, and I really should be. But I'm not.

There's two things holding me back:

Time
We only have five minutes for our film. We can make it longer but for it to be put in the festival, it has to be five minutes. So I could make a fifteen minute, but it would have to be cut down to five, which sounds simple enough but I need to make sure it still makes as much sense as it does in the longer version. I also worry that I can't do a great story in five minutes. It sounds incredibly pessimistic and I would agree, but once you're in that mind set, it's a hard one to get out of and I think this is where the "mind block" is coming from.

Characters
I love characters. One of the reasons I love The Sims so much is because I would spend so much time perfecting the characters look, their job and building them up to have these amazing careers. I love character development and the reason I love television a little more so than films is because television gives you the character development that people love. It doesn't matter whether you have a show like "Sherlock" that only has three episodes per season, or if the show can last as long as "ER", "Friends" or "The Office"; within each show you see each character grow and become a better person without even realizing it half the time. You only realize when you look back at older episodes or you're rewatching the series, when you realize "This person used to be so guarded, but now they're letting themselves be a little more vulnerable" for example. Along with the time aspect I spoke about, I worry that I can't bring across a character well enough within five minutes.

Hopefully in the next few weeks while I'm trying to write down more ideas and develop them, I'll be able to get over my fear of 'it not being good enough' and just go out and do it.

"Dislocation"

For our Special Subject Investigation for Creative Media Production unit, we were given the theme of "Dislocation". You could go down a number of routes with this idea; we have the option of doing a documentary or a fictional story so no matter what you decide to do, you can from so many possibilities; choose the body side of the word or jump into the deep end and go for the more psychological side of things.

Physical

When you hear the word, "dislocation", I think the first thought in everyone's mind is something in the body. That could be a dislocated arm, leg, wrist; but in my personal opinion, I think keeping in the physical mind set would make an interesting documentary.

Location/Time
After thinking over with the theme for a few days, my first main idea was something along the lines of being stuck in a place or a time where you think you don't belong. This can be anything from a 'Freaky Friday' state where you're stuck in someone else's body and have to live someone else's life. I also thought of today's generation where people will look up to the likes of Marilyn Monroe and wish there had been born or grew up in the era she had been around, and everything from music to fashion, some say "I was born in the wrong generation". I possibly want to look into something of being stuck in a time or location and not being sure why the character is there and going with them to figure it out. Using this 'plot point', if you did good enough research you could maybe find someone or a few people for a documentary who believe they don't belong in this generation and dress like they are still in the 50's, 60's, 70's for example, and base the documentary around why they would prefer living in a different era to what they live in now.

Psychological
Every topic you delve into in film making needs research but if you were to make either a fictional story or documentary of a psychological nature, your research needs to be on power depending on what type of issue you would be using within your story. I always like the idea of going into a deeper state of mind and with our theme, it would be easily achievable. A film that I would like to explore further if I chose to go into this side, would be "Eternal Sunshine of the Spotless Mind". I have seen this film once before and when thinking psychological, this film was something that shot out of my head immediately because of the relationship within the story and the journey of living through something and it being taken away because it being there, just hurt so much.

These were just a few of the routes I could go down with my final year film, but I want to try and take some time to further my ideas that I have so far as well as develop new ones. I'm really looking forward to coming up with some new ideas following some extra research.